Books

Becker, H. (1982). Art worlds. Berkeley: University of California Press.

Cardinal, R. (1972). Outsider art. London, England: Studio Vista Printers.

Cristine, M. (Ed). (1987). Jean Dubuffet & art brut. Venice, Italy: Peggy Guggenheim Collection.

Dubuffet, J. (1988). Asphyxiating culture. New York, NY: Four Walls Eight Windows.

Fine, G. (2004). Everyday genius. Chicago, IL: University of Chicago Press.

Gioni, M. (2013). Il palazzo enciclopedico [The Encyclopedic Palace]. Venice, Italy: Marsilio.

Glimcher, M. (1987). Jean DuBuffet: Towards an alternative reality. New York: Pace Publications.

Hall, M. & E. Metcalf, Jr. (Eds.), The artist outsider: Creativity and the boundaries of culture, Washington, DC: Smithsonian Institution Press.

Harris, M. (2002). Family found: The lifetime obsession of Morton Bartlett. New York, NY: Gerngross & Company.

Hollander, S. (2014). Self-taught genius: Treasures from the American Folk Art Museum. New York, NY: American Folk Art Museum.

Maizels, J. (1996). Raw creation: Outsider art and beyond. London, England. Phaidon Press.

Messer, T. (Curator). (1986). Jean Dubuffet & art brut. Venice, Italy: Peggy Guggenheim Collection.

Peiry, L. (2001). Art brut: The origins of outsider art. Paris, France: Flammarion.

Prinzhorn, H. (2011). The art of insanity. Chicago, IL: Solar Books.

Rexer, L. (2005). How to look at outsider art. New York, NY: Harry N. Abrams.

Rhodes, C. (2000). Outsider art: Spontaneous alternatives. London, England: Thames & Hudson.

Russell, C. (2011). Groundwaters: A century of art by self-taught and outsider artists. Munich, Germany: Prestel Verlag.

Szeemann, H. (1998). Self-taught artists of the 20th century. New York, NY: Museum of American Folk Art.